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ref:
Before Farming 2005/1 article 1
Charring
patterns on reconstructed ceramics from Dunefield Midden:
implications for Khoekhoe vessel
form and function
Brian
A Stewart
Institute of Archaeology, University of Oxford, 36 Beaumont
St, Oxford OX1 2PG
brian.stewart@arch.ox.ac.uk
Keywords:
Ceramics, Khoekhoe, Later Stone Age, southern Africa,
experimental archaeology
Abstract
Ethnographic observations from ceramic-using cultures
around the world highlight a direct connection between
ceramic vessel form and function. In southwestern southern
Africa archaeological assemblages containing ceramic
vessels associated historically with Khoekhoen pastoralists
are heavily dominated by pots that conform to a very
uniform shape - namely, amphora-like vessels with restricted
necks and pointed bases. This paper uses charring patterns
evident on the reconstructed ceramic assemblage from
the late Holocene/pre-colonial Later Stone Age (LSA)
site of Dunefield Midden, and additional ethnographic,
ethnohistoric and experimental data, to identify which
morphological attributes were adopted to facilitate
the use of these vessels in cooking. It concludes that
the observed charring patterns were caused by a cooking
technique whereby the vessel bases were settled directly
into the 'soft' cooking hearths at Dunefield Midden,
and that the use of pointed bases represents a technological
adaptation well suited to the Khoekhoen lifeway, one
characterised by a high degree of mobility in largely
arid landscapes.

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ref:
Before Farming 2005/1 article 2
The concepts
of 'Neolithic' and 'Neolithisation' for Africa?
Andrew
B Smith
Department of Archaeology, University of Cape Town,
Rondebosch 7700, South Africa
abs@age.uct.ac.za
Keywords:
Neolithisation, North Africa, South Africa, animal domestication
Abstract
The use of the term 'Neolithic', although seen by some
researchers as a convenient shorthand, has a great deal
of baggage associated with it, which makes it problematic
for use in Africa. This is particularly true for southern
Africa where the process of introduction of food production
was probably different from that experienced in the
Middle East, Europe, or even North Africa, as no wild
progenitors of the domestic plants or animals existed
south of the Equator. The suggestion that a southern
African 'Neolithic' might have existed makes certain
assumptions that are dependent on how one interprets
the archaeological record.


ref:
Before Farming 2005/1 article 3
A Siberian
perspective on the north European Hamburgian Culture:
a study in applied hunter-gatherer
ethnoarchaeology
Ole
Grøn
Institute of Archaeology, University College London,
31-34 Gordon Square, London WC1H 0PY
tcrnogr@ucl.ac.uk
Keywords:
Ethnoarchaeology, cultural ecology, reindeer-hunters,
Late Palaeolithic, cultural small-scale variations,
cultural identity
Abstract
The paper discusses the use of ethnoarchaeology in the
interpretation of prehistoric hunter-gatherer cultures,
and takes as a case study the application of observations
made on the Evenk reindeer hunters (Olenok area, Siberia)
to interpreting patterning in the Late Glacial Hamburgian
archaeological record of northern Europe. It is argued
that a focus on repeatedly appearing cultural features
seen in relation to a holistic framework which incorporates
the entire range of social behaviours can form a useful
interface between archaeology and ethnoarchaeology,
because it allows an integrated approach to phenomena
with both material and spiritual aspects. The latter
are too often ignored in ethnoarchaeology despite their
evident impact on spatial patterning in the material
record of contemporary hunter-gatherers. It is also
suggested that archaeology and ethnoarchaeology should
be used in an interactive way, including the development
of archaeological strategies for checking the ethnoarchaeological
extrapolations.

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ref:
Before Farming 2005/1 article 4
Shoreline
displacement chronology of rock paintings at Lake Saimaa,
eastern Finland
Oula
Seitsonen
Department of Archaeology, PO Box 59, FI-00014 University
of Helsinki, Finland
oula.seitsonen@helsinki.fi
Keywords:
Rock-art, hunter-gatherers, Finland, shoreline displacement
Abstract
Finnish hunter-gatherer rock paintings are situated
on steep cliff faces that typically face onto bodies
of water. Because of isostatic land uplift and lake
level changes some rock paintings are situated several
metres above present day lake level. Using the shoreline
displacement history of Lake Saimaa, a relative chronology
of different rock painting motifs is presented. There
has hitherto been almost no study of diachronic change
in Finnish rock-art motifs. This study presents some
general stylistic and orientational shifts in the rock
painting tradition, shifts that are most pronounced
mostly towards the end of Subneolithic period; pictorial
display seems to become more one-sided and schematic
towards the end of the rock painting tradition from
2500 Cal BC onwards. Changes seem relatively synchronous
throughout the Lake Saimaa catchment. Thereafter the
painting tradition diminishes as Early Metal Period
ceramic styles and early agriculture becomes more established
in the area after 2000 Cal BC. These developments could
reflect changes in the socio-economic organisation and
ideology.

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© Western Academic & Specialist Press Ltd 2005
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