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Rock
art threatened in Australia's Dampier Archipelago

What
may be the world's largest concentration of petroglyphs
is threatened by a multi-billion dollar industrial development.
The Dampier Archipelago in the Pilbara region of northwestern
Australia is home not only to the petroglyphs but also
a major corpus of standing stones, similar to the megalithic
monuments of Europe and the largest such occurrence
in Australia. This outstanding heritage is threatened
by the proposed extension of an existing industrial
complex which would result in 38% of the area being
annexed by petrochemical and other plants. The problem
does not end there: at present levels of atmospheric
pollution most of the petroglyphs will disappear during
the latter half of the 21st century, but if the emissions
are trebled as a result of this proposed development
- which is supported by the Western Australian Government
- the process will be accelerated and it is predicted
that the rock art will begin to disappear by around
2030.
The
owners of the rock art - the Aboriginal people of the
region - are joined by scientists, conservators, conservationists
and the local shire council in opposing current development
plans. They do not oppose the development in principle
but Maitland on the mainland is their preferred site
for the development and even one of the companies involved,
Methanex Australia P/L, reportedly prefers the Maitland
option for logistical reasons.
The
International Federation of Rock Art Organisations*
(IFRAO) is calling on the Western Australian Government
to protect the Dampier rock art and implement a management
plan for the Archipelago after proper consultation with
all parties. If you want to add your weight to the struggle
to save hundreds of thousands of rock art images which
have survived intact for tens of thousands of years,
visit the following web site where you may sign an online
petition as well as reading more about the threatened
art.
http://mc2.vicnet.net.au/users/dampier/
*IFRAO is a federation of 39 national
and regional organisations promoting the study and protection
of rock art throughout the world.
The
Editor thanks Robert Bednarik for bringing this issue
to our attention.

©
Western Academic & Specialist Press Ltd 2002
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